35 Feelings and their origination in judgments. – ‘Trust your feelings!’ – But feelings are nothing final or original; behind feelings there stand judgments and evaluations which we inherit in the form of feelings (inclinations, aversions). The inspiration born of a feeling is the grandchild of a judgment – and often of a false judgment! – and in any event not a child of your own! To trust one’s feelings – means to give more obedience to one’s grandfather and grandmother and their grandparents than to the gods which are in us: our reason and our experience.
17 Nature, good and evil – At first, men imagined themselves into nature: they saw everywhere themselves and their kind, especially their evil and capricious qualities, as it were hidden among the clouds, storms, beasts of prey, trees and plants: it was then they invented ‘ evil nature’. Then there came along an age when they again imagined themselves out of nature, the age of Rousseau: they were so fed up with one another they absolutely had to have a corner of the world into which man and his torments could not enter: they invented ‘ good nature’.
238 The striving for charm. – If a strong nature is not inclined to cruelty and is not always occupied with itself, it involuntarily strives after charm – this is its characteristic sign. Weak characters, on the other hand, love harsh judgments-they ally themselves with the heroes of misanthropy, with the religious or philosophical blackeners of existence, or withdraw behind stern customs and demanding ‘life-tasks’: thus they try to create for themselves a character and a kind of strength. And this they likewise do involuntarily.
32 The brake.- To suffer for the sake of morality and then to be told that this kind of suffering is founded on an error: this arouses indignation. For there is a unique consolation in affirming through one’s suffering a ‘profounder world of truth’ than any other world is, and one would much rather suffer and thereby feel oneself exalted above reality (through consciousness of having thus approached this ‘profounder world of truth’) than be without suffering but also without this feeling that one is exalted. It is thus pride, and the customary manner in which pride is gratified, which stands in the way of a new understanding of morality. What force, therefore, will have to be employed if this brake is to be removed? More pride? A new pride?
118 What is our neighbor! – What do we understand to be the boundaries of our neighbor: I mean that with which he as it were engraves and impresses himself into and upon us? We understand nothing of him except the change in us of which he is the cause – our knowledge of him is like hollow space which has been shaped. We attribute to him the sensations his actions evoke in us, and thus bestow upon him a false, inverted positivity. According to our knowledge of ourselves we make of him a satellite of our own system: and when he shines for us or grows dark and we are the ultimate cause in both cases – we nonetheless believe the opposite! World of phantoms in which we live! Inverted, upside-down, empty world, yet dreamed of as full and upright!
177 Learning solitude. – 0 you poor devils in the great cities of world politics, you gifted young men tormented by ambition who consider it your duty to pass some comment on everything that happens- and there is always something happening! Who when they raise the dust in this way think they are the chariot of history! Who, because they are always on the alert, always on the lookout for the moment when they can put their word in, lose all genuine productivity! However much they may desire to do great work, the profound speechlessness of pregnancy never comes to them! The event of the day drives them before it like chaff, while they think they are driving the event – poor devils! – If one wants to represent a hero on the stage one must not think of making one of the chorus, indeed one must not even know how to make one of the chorus.
19 Morality makes stupid. – Custom represents the experiences of men of earlier times as to what they supposed useful and harmful – but the sense for custom (morality) applies, not to these experiences as such, but to the age, the sanctity, the indiscussability of the custom. And so this feeling is a hindrance to the acquisition of new experiences and the correction of customs: that is to say, morality is a hindrance to the creation of new and better customs: it makes stupid.
35 Feelings and their origination in judgments. – ‘Trust your feelings!’ – But feelings are nothing final or original; behind feelings there stand judgments and evaluations which we inherit in the form of feelings (inclinations, aversions). The inspiration born of a feeling is the grandchild of a judgment – and often of a false judgment! – and in any event not a child of your own! To trust one’s feelings – means to give more obedience to one’s grandfather and grandmother and their grandparents than to the gods which are in us: our reason and our experience.
55 ‘Ways’. – The supposed ‘shorter ways’ have always put mankind into great danger; at the glad tidings that such a shorter way has been found, they always desert their way – and lose their way.
7 Learning to feel differently about space. – Is it the real things or the imaginary things which have contributed most to human happiness? What is certain is that the extent of the space between the highest happiness and the deepest unhappiness has been produced only with the aid of the imaginary things. This kind of feeling of space is, consequently, being continually reduced under the influence of science: just as science has taught us, and continues to teach us, to feel that the eanh is small and the solar-system itself no more than a point.
186. BUSINESS MEN. —Your business is your greatest prejudice, it binds you to your locality, your society and your tastes. Diligent in business but lazy in thought, satisfied with your paltriness and with the cloak of duty concealing this contentment: thus you live, and thus you like your children to be.
182. ROUGH AND READY CONSISTENCY.—People say of a man with great respect, ” He is a character “—that is, when he exhibits a rough and ready consistency, when it is evident even to the dullest eye. But, whenever a more subtle and profound intellect sets itself up and shows consistency in a higher manner, the spectators deny the existence of any character. That is why cunning statesmen usually act their comedy under the cloak of a kind of rough and ready consistency.
141. MORE BEAUTIFUL BUT LESS VALUABLE.— Picturesque morality: such is the morality of those passions characterised by sudden outbursts, abrupt transitions;
pathetic, impressive, dreadful, and solemn attitudes and gestures. It is the semi-savage stage of morality : never let us be tempted to set it on a higher plane merely on account of its aesthetic charms.
121. CAUSE AND EFFECT.— On this mirror— and our intellect is a mirror—something is going on that indicates regularity: a certain thing is each time followed by another certain thing. When we perceive this and wish to give it a name, we call it cause and effect,—fools that we are! as if in this we had understood or could understand anything! For, of course, we have seen nothing but the images of causes and effects, and it is just this figurativeness which renders it impossible for us to see a more substantial relation than that of sequence!
97. ONE BECOMES MORAL—but not because one is moral! Submission to morals may be due to slavishness or vanity, egoism or resignation, dismal fanaticism or thoughtlessness. It may, again, be an act of despair, such as submission to the authority of a ruler; but there is nothing moral about it per se.
35. FEELINGS AND THEIR DECENT FROM JUDGMENTS.—” Trust in your feelings! “But feelings comprise nothing final, original; feelings are based upon the judgments and valuations which are transmitted to us in the shape of feelings (inclinations, dislikes). The inspiration which springs from a feeling is the grandchild of a judgment—often an erroneous judgment!—and certainly not one’s own judgment ! Trusting in our feelings simply means obeying our grandfather and grandmother more than the gods within ourselves: our reason and experience.
32. THE BRAKE.—To suffer morally, and then to learn afterwards that this kind of suffering was founded upon an error, shocks us. For there is a unique consolation in acknowledging, by our suffering, a “deeper world of truth” than any other world, and we would much rather suffer and feel ourselves above reality by doing so (through the feeling that, in this way, we approach nearer to that “deeper world of truth”), than live without suffering and hence without this feeling of the sublime. Thus it is pride, and the habitual fashion of satisfying it, which opposes this new interpretation of morality. What power, then, must we bring into operation to get rid of this brake? Greater pride? A new pride ?
6. THE JUGGLER AND HIS COUNTERPART.—That which is wonderful in science is contrary to that which is wonderful in the art of the juggler. For the latter would wish to make us believe that we see a very simple causality, where, in reality, an exceedingly complex causality is in operation.
Science, on the other hand, forces us to give up our belief in the simple causality exactly where everything looks so easily comprehensible and we are merely the victims of appearances. The simplest things are very “complicated”—we can never be sufficiently astonished at them !