Anaphora is sometimes characterized as the phenomenon whereby the interpretation of an occurrence of one expression depends on the interpretation of an occurrence of another or whereby an occurrence of an expression has its referent supplied by an occurrence of some other expression in the same or another sentence.[1] However, these are at best very rough characterizations of the phenomena, since things other than anaphoric expressions satisfy the first characterization and many cases of anaphora fail to satisfy the second. For example, in some sense of “interpretation”, the interpretation of the expression “bank” in the following sentence depends on the interpretation of other expressions (in particular, “of the river”):
1. John is down by the bank of the river.
But no one would say this is an example of anaphora. And as to the second characterization, though all agree that the following is an example of anaphora (and “he” is an anaphoric pronoun here on one reading of the sentence), it is not a case of the referent of one expression being supplied by another expression, (since “he” is not a referring expression on the reading in question):
2. Every male lawyer believes he is smart.
Hence, rather than attempting to characterize anaphora generally and abstractly, we shall begin with some examples. There is generally thought to be many types of anaphora, though in some cases there is disagreement as to whether to classify those cases as anaphora or not.[2]
Pronominal anaphora:
3. John left. He said he was ill. (The antecedent is “John” and the anaphoric expression is “he”.)
Of all that is written I love only that which one writes with his blood. Write with blood, and you will experience that blood is spirit. It is not easily possible to understand the blood of another: I hate the reading idlers.Thus Spoke Zarathustra Whoever knows the reader will do nothing more for the reader. One more century of readers – and the spirit itself will stink. That everyone is allowed to learn to read ruins not only writing in the long run, but thinking too. Once the spirit was God, then it became human and now it is even becoming rabble. Whoever writes in blood and proverbs does not want to be read, but to be learned by heart. In the mountains the shortest way is from peak to peak, but for that one must have long legs. Proverbs should be peaks, and those who are addressed should be great and tall. The air thin and pure, danger near and the spirit full of cheerful spite: these fit together well. I want to have goblins around me, for I am courageous. Courage that scares off ghosts creates its own goblins – courage wants to laugh. I no longer sympathize with you; this cloud beneath me, this black and heavy thing at which I laugh – precisely this is your thundercloud. You look upward when you long for elevation. And I look down because I am elevated. Who among you can laugh and be elevated at the same time? Whoever climbs the highest mountain laughs at all tragic plays and tragic realities. Courageous, unconcerned, sarcastic, violent – thus wisdom wants us: she is a woman and always loves only a warrior. You say to me: “Life is hard to bear.” But why would you have your pride in the morning and your resignation in the evening? Life is hard to bear: but then do not carry on so tenderly! We are all of us handsome, load bearing jack- and jillasses. What have we in common with the rosebud that trembles because a drop of dew lies on its body? It is true: we love life not because we are accustomed to life but because we are accustomed to love. There is always some madness in love. But there is also always some reason in madness. And even to me, one who likes life, it seems butterflies and soap bubbles and whatever is of their kind among human beings know most about happiness. To see these light, foolish, delicate, sensitive little souls fluttering – that seduces Zarathustra to tears and songs. I would only believe in a god who knew how to dance. And when I saw my devil, there I found him earnest, thorough, deep, somber: it was the spirit of gravity – through him all things fall. Not by wrath does one kill, but by laughing. Up, let us kill the spirit of gravity! I learned to walk, since then I let myself run. I learned to fly, since then I do not wait to be pushed to move from the spot. Now I am light, now I fly, now I see myself beneath me, now a god dances through me. Thus spoke Zarathustra.
“Analytic” sentences, such as “Pediatricians are doctors,” have historically been characterized as ones that are true by virtue of the meanings of their words alone and/or can be known to be so solely by knowing those meanings. They are contrasted with more usual “synthetic” sentences, such as “Pediatricians are rich,” (knowledge of) whose truth depends also upon (knowledge of) the worldly fortunes of pediatricians. Beginning with Frege, many philosophers hoped to show that the truths of logic and mathematics and other apparently a priori domains, such as much of philosophy and the foundations of science, could be shown to be analytic by careful “conceptual analysis” of the meanings of crucial words. Analyses of philosophically important terms and concepts, such as “material object,” “cause,” “freedom,” or “knowledge” turned out, however, to be far more problematic than philosophers had anticipated, and some, particularly Quine and his followers, began to doubt the reality of the distinction. This in turn led him and others to doubt the factual determinacy of claims of meaning and translation in general, as well as, ultimately, the reality and determinacy of mental states. There have been a number of interesting reactions to this scepticism, in philosophy and linguistics (this latter to be treated in the supplement, Analyticity and Chomskyan Linguistics); but, while the reality of mental states might be saved, it has yet to be shown that appeals to the analytic will ever be able to ground “analysis” and the a priori in quite the way that philosophers had hoped.
Analysis has always been at the heart of philosophical method, but it has been understood and practised in many different ways. Perhaps, in its broadest sense, it might be defined as a process of identifying or working back to what is more fundamental by means of which something, initially taken as given, can be derived, explained or reconstructed. The derivation, explanation or reconstruction is sometimes conceived as the corresponding process of synthesis, but it is more often counted as part of the analytic project as a whole. This allows great variation in specific method, however. The aim may be to get back to basics and elucidate connections, but there may be all sorts of ways of doing this, each of which might be called ‘analysis’. The dominance of ‘analytic’ philosophy in the English-speaking world, and its growing influence in the rest of the world, might suggest that a consensus has formed concerning the role and importance of analysis. But this assumes that there is agreement on what ‘analysis’ means, and this is far from clear. Throughout the history of philosophy there have also been powerful criticisms of analysis, but these have always been to specific forms of analysis, which has only encouraged the development of newer forms. If we look at the history of philosophy, and even at just the history of (recent Western) analytic philosophy, we find a rich and extensive repertoire of conceptions and techniques of analysis which philosophers have continually drawn upon and modified in different ways. Analytic philosophy is thriving precisely because of the range of conceptions and techniques of analysis that it involves. It may have fragmented into various interlocking subtraditions and, increasingly, is now being ‘backdated’ and widened in scope to include earlier and contemporaneous traditions, but those subtraditions and related traditions are held together by their shared history and methodological interconnections. There are also forms of analysis in traditions clearly distinct from Western analytic philosophy, and these also need to be recognized and brought into debates about analytic methodologies, to open up new approaches and perspectives. It is the aim of this article to indicate something of the range of conceptions of analysis in the history of philosophy and their interconnections, as well as their role in understanding the history of philosophy itself, and to provide a bibliographical resource for those wishing to explore analytic methodologies and the philosophical issues they raise.
Medieval theories of analogy were a response to problems in three areas: logic, theology, and metaphysics. Logicians were concerned with the use of words having more than one sense, whether completely different, or related in some way. Theologians were concerned with language about God. How can we speak about a transcendent, totally simple spiritual being without altering the sense of the words we use? Metaphysicians were concerned with talk about reality. How can we say that both substances (e.g., Socrates) and accidents (e.g., the beardedness of Socrates) exist when one is dependent on the other; how can we say that both God and creatures exist, when one is created by the other? Medieval thinkers reacted to these three problems by developing a theory which divided words into three sorts. Some were univocal (always used with the same sense), some were purely equivocal (used with quite different senses), and some were analogical (used with related senses). Analogical terms were thought to be particularly useful in metaphysics and theology, but they were routinely discussed in commentaries on Aristotle’s logic and in logic textbooks. The background to the discussion was given by what is often called the analogy of being or metaphysical analogy, the doctrine that reality is divided both horizontally into the very different realities of substances and accidents and vertically into the very different realities of God and creatures, and that these realities are analogically related. Nonetheless, the phrase “medieval theories of analogy” as used here will refer to semantic analogy, a set of linguistic and logical doctrines supplemented, at least from the fourteenth century on, by doctrines about the nature of human concepts.
The concept of alienation identifies a distinct kind of psychological or social ill; namely, one involving a problematic separation between a self and other that belong together. So understood, alienation appears to play a largely diagnostic or critical role, sometimes said to suggest that something is awry with both liberal societies and liberal political philosophy. Theories of alienation typically pick out a subset of these problematic separations as being of particular importance, and then offer explanatory accounts of the extent of, and prognosis for, alienation, so understood. Discussions of alienation are especially, but not uniquely, associated with Hegelian and Marxist intellectual traditions.
The present entry clarifies the basic idea of alienation. It distinguishes alienation from some adjacent concepts; in particular, from ‘fetishism’ and ‘objectification’. And it elucidates some conceptual and normative complexities, including: the distinction between subjective and objective alienation; the need for a criterion by which candidate separations can be identified as problematic; and (some aspects of) the relation between alienation and ethical value. The empirical difficulties often generated by ostensibly philosophical accounts of alienation are acknowledged, but not resolved.
The culture of the Akan people of West Africa dates from before the 13th century. Like other long-established cultures the world over, the Akan have developed a rich conceptual system complete with metaphysical, moral, and epistemological aspects. Of particular interest is the Akan conception of persons, a conception that informs a variety of social institutions, practices, and judgments about personal identity, moral responsibility, and the proper relationship both among individuals and between individuals and community.
This overview presents the Akan conception of persons as seen by two major contemporary Akan philosophers, Kwasi Wiredu and Kwame Gyekye. These scholars present two very different accounts of the concept, particularly with respect to the relationship between social recognition and innate characteristics to personhood. Examining the Akan conception of personhood from these two different perspectives highlights both the richness of the conception as well as the myriad ways in which the resulting conception contrasts with Western conceptions. Among those contrasts are four on which we focus below: (1) the continuous nature of personhood, (2) the means by which individuals achieve full personhood, and the implications of this conception of personhood for (3) the relationship between individuals and the community and (4) the Akan understanding of responsibility and freedom.
The debate between Wiredu and Gyekye provides insights regarding not just the substance of the conception of personhood, but also the way empirical evidence can be used to inform philosophical analysis. In this particular case, the Akan view of personhood has, like many other metaphysical and moral conceptions, far-reaching effects on social practices and institutions. Using facts about these practices and institutions to reconstruct a conception of personhood underscores another important general theme in African philosophy: the practical implications of philosophical principles on everyday life. For the Akan, judgments about personhood are not matter of merely academic interest, but play an important role in shaping and supporting their highly communal social structure. To the extent that the Akan notion accommodates a common humanity as an innate source of value, it supports moral equality. At the same time, its emphasis on the social bases of personhood helps firmly to embed trust, cooperation, and responsibility to the community in cultural practices. The Akan philosophy of persons thus represents an attempt to resolve questions of identity, freedom, and morality in favor of a communalistic way of life that has evolved as a rational adaptation to the exigencies of survival under harsh conditions.
358 Grounds and their groundlessness. -You dislike him and present many grounds for this dislike – but I believe only in your dislike, not in your grounds! You flatter yourself in your own eyes when you suggest to yourself and to me that what has happened through instinct is the result of a process of reasoning.
In very general terms, an agent is a being with the capacity to act, and ‘agency’ denotes the exercise or manifestation of this capacity. The philosophy of action provides us with a standard conception and a standard theory of action. The former construes action in terms of intentionality, the latter explains the intentionality of action in terms of causation by the agent’s mental states and events. From this, we obtain a standard conception and a standard theory of agency. There are alternative conceptions of agency, and it has been argued that the standard theory fails to capture agency (or distinctively human agency). Further, it seems that genuine agency can be exhibited by beings that are not capable of intentional action, and it has been argued that agency can and should be explained without reference to causally efficacious mental states and events.
Debates about the nature of agency have flourished over the past few decades in philosophy and in other areas of research (including psychology, cognitive neuroscience, social science, and anthropology). In philosophy, the nature of agency is an important issue in the philosophy of mind, the philosophy of psychology, the debates on free will and moral responsibility, in ethics, meta-ethics, and in the debates on the nature of reasons and practical rationality. For the most part, this entry focuses on conceptual and metaphysical questions concerning the nature of agency. In the final sections, it provides an overview of empirically informed accounts of the sense of agency and of various empirical challenges to the commonsense assumption that our reasons and our conscious intentions make a real difference to how we act.
Introduced into the philosophical lexicon during the Eighteenth Century, the term ‘aesthetic’ has come to designate, among other things, a kind of object, a kind of judgment, a kind of attitude, a kind of experience, and a kind of value. For the most part, aesthetic theories have divided over questions particular to one or another of these designations: whether artworks are necessarily aesthetic objects; how to square the allegedly perceptual basis of aesthetic judgments with the fact that we give reasons in support of them; how best to capture the elusive contrast between an aesthetic attitude and a practical one; whether to define aesthetic experience according to its phenomenological or representational content; how best to understand the relation between aesthetic value and aesthetic experience. But questions of more general nature have lately arisen, and these have tended to have a skeptical cast: whether any use of ‘aesthetic’ may be explicated without appeal to some other; whether agreement respecting any use is sufficient to ground meaningful theoretical agreement or disagreement; whether the term ultimately answers to any legitimate philosophical purpose that justifies its inclusion in the lexicon. The skepticism expressed by such general questions did not begin to take hold until the later part of the 20th century, and this fact prompts the question whether (a) the concept of the aesthetic is inherently problematic and it is only recently that we have managed to see that it is, or (b) the concept is fine and it is only recently that we have become muddled enough to imagine otherwise. Adjudicating between these possibilities requires a vantage from which to take in both early and late theorizing on aesthetic matters.
Suppose that you have been invited to attend an ex-partner’s wedding and that the best thing you can do is accept the invitation and be pleasant at the wedding. But, suppose furthermore that if you do accept the invitation, you’ll freely decide to get inebriated at the wedding and ruin it for everyone, which would be the worst outcome. The second best thing to do would be to simply decline the invitation. In light of these facts, should you accept or decline the invitation? (Zimmerman 2006: 153). The answer to this question hinges on the actualism/possibilism debate in ethics, which concerns the relationship between an agent’s free actions and her moral obligations. In particular, it focuses on whether facts about how an agent would freely act in certain contexts play any role in determining the agent’s moral obligations. Historically, the debate has primarily arisen in the work of impartial consequentialists with an interest in deontic logic. However, its relevance is not limited to such versions of consequentialism. The debate concerns the scope of acts that are relevant options for the agent, which is an issue that cuts across, and has substantive implications for, a wide range of normative ethical views. As such, the debate brings into focus issues of central importance for any normative ethical theory.
Action is a means of acquiring perceptual information about the environment. Turning around, for example, alters your spatial relations to surrounding objects and, hence, which of their properties you visually perceive. Moving your hand over an object’s surface enables you to feel its shape, temperature, and texture. Sniffing and walking around a room enables you to track down the source of an unpleasant smell. Active or passive movements of the body can also generate useful sources of perceptual information (Gibson 1966, 1979). The pattern of optic flow in the retinal image produced by forward locomotion, for example, contains information about the direction in which you are heading, while motion parallax is a “cue” used by the visual system to estimate the relative distances of objects in your field of view. In these uncontroversial ways and others, perception is instrumentally dependent on action. According to an explanatory framework that Susan Hurley (1998) dubs the “Input-Output Picture”, the dependence of perception on action is purely instrumental:
The distinction between essential versus accidental properties has been characterized in various ways, but it is often understood in modal terms: an essential property of an object is a property that it must have, while an accidental property of an object is one that it happens to have but that it could lack. Let’s call this the basic modal characterization, where a modal characterization of a notion is one that explains the notion in terms of necessity/possibility. In the characterization just given of the distinction between essential and accidental properties, the use of the word “must” reflects the fact that necessity is invoked, while the use of the word “could” reflects that possibility is invoked. The notions of necessity and possibility are interdefinable: to say that something is necessary is to say that its negation is not possible; to say that something is possible is to say that its negation is not necessary; to say that an object must have a certain property is to say that it could not lack it; and to say that an object could have a certain property is to say that it is not the case that it must lack it.
In philosophy, accidental properties are properties an object has contingently, not essentially.
An accidental property is one that a thing can gain or lose without ceasing to be what it is. Example: – A chair being red. – Socrates being bald. – This book lying on the table.
If the property changes, the object remains the same kind of thing.
This contrasts with essential properties, which an object must have to be what it is. Example: – A triangle having three sides. – A human being rational (in the Aristotelian sense).
The distinction goes back to Aristotle’s Categories and Metaphysics. Accidental properties depend on circumstances, relations, or states, not on the object’s defining nature.
In short: accidental properties describe how something happens to be, not what it is.
Wikipedia
An accident (Greek συμβεβηκός), in metaphysics and philosophy, is a property that the entity or substance has contingently, without which the substance can still retain its identity. An accident does not affect its essence, according to many philosophers. It does not mean an “accident” as used in common speech, a chance incident, normally harmful. Examples of accidents are color, taste, movement, and stagnation. Accident is contrasted with essence: a designation for the property or set of properties that make an entity or substance what it fundamentally is, and which it has by necessity, and without which it loses its identity.
Aristotle made a distinction between the essential and accidental properties of a thing. Thomas Aquinas and other Catholic theologians have employed the Aristotelian concepts of substance and accident in articulating the theology of the Eucharist, particularly the transubstantiation of bread and wine into body and blood.
In modern philosophy, an accident (or accidental property) is the union of two concepts: property and contingency. Non-essentialism argues that every property is an accident. Modal necessitarianism argues that all properties are essential and no property is an accident.
Do you lift a roof over your head or is the lifting roof enough?
Do any of them keep the rain out?
The Oxford Companion to Philosophy, 1995
ABSURD, THE. A term used by existentialists to describe that which one might have thought to be amenable to reason but which turns out to be beyond the limits of rationality. For example, in Sartre’s philosophy the ‘original choice’ of one’s fundamental project is said to be ‘absurd’, since, although choices are normally made for reasons, this choice lies beyond reason because all reasons for choice are supposed to be grounded in one’s fundamental project. Arguably, this case in fact shows that Sartre is mistaken in supposing that reasons for choice are themselves grounded in a choice; and one can argue that other cases which are supposed to involve experience of the ‘absurd’ are in fact a *reductio ad absurdum of the assumptions which produce this conclusion. The ‘absurd’ does not in fact play an essential role within existentialist philosophy; but it is an important aspect of the broader cultural context of existentialism, for example in the ‘theatre of the absurd’, as exemplified by the plays of Samuel Beckett.
ABSTRACTION. A putative psychological process for the acquisition of a concept x either by attending to the features common to all and only xs* or by disregarding just the spatiotemporal locations of xs. The existence of abstraction is endorsed by Locke in the Essay Concerning Human Understanding (esp. II. xi. 9 and 10 and III. iii. 6 ff.) but rejected by Berkeley in The Principles of Human Knowledge (esp. paras. 6 ff. and paras. 98, 119, and 125). For Locke the capacity to abstract distinguishes human beings from animals. It enables them to think in abstract ideas and hence use language. Berkeley argues that the concept of an abstract *idea is incoherent because it entails both the inclusion and the exclusion of one and the same property. This in turn is because any such putative idea would have to be general enough to subsume all xs yet precise enough to subsume only xs. For example, the abstract idea of triangle ‘is neither oblique nor rectangular, equilateral norscalenon, but all and none of these at once’ (The Principles of Human Knowledge, Introduction, para. 13).
ABSTRACT ENTITIES. The dichotomy between the abstract and the concrete is supposed to effect a mutually exclusive and jointly exhaustive ontological classification. The dichotomy is, however, too naïve to be of theoretical use. There are many different ways, themselves vague, to mark the distinction: abstract entities are not perceptible, cannot be pointed to, have no causes or effects, have no spatio-temporal location, are necessarily existent. Nor is there agreement about whether there are any abstract entities, and, if so, which sorts of entity are abstract. Abstract entities, conceived as having no causal powers, are thought problematic for epistemological reasons: how can we refer to or know anything about entities with which we have no causal commerce? Hence the existence of nominalists, who try to do without abstract entities.